Interior design consultancies understand the richness of light in all its forms. In London, lighting is crucial to interior design consultancies that need to create stunning results. In this, the sixth article in my series which I call “DeLIGHTed by Design,” I continue to draw on my experience working with some of London’s Top Interior Design Consultancies to explain this exciting area.

Six main lighting tools are considered foundational by established interior design consultancies. These are down-lighters, up-lighters, wall-washers, decorative lighting, colour and control. Many London interior design consultancies will preferentially think of these mostly in terms of mood and results – from daring highlights to soft textures – instead of as hardware and installations.

Down-lighters are often set back into a false ceiling, although some interior design consultancies will prefer to install them on walls. These units will direct light downwards, and can be focused by the design team as necessary, perhaps to illuminate the floor or a favourite contoured bookcase. Most interior design consultancies recognise that this type of light is very sharp and will generate somewhat intense shadows, which can be a refreshing contrast to the occasionally dreary London weather. The most popular units are always available in narrow beam designs, which are best for highlighting certain features. Interior design consultancies will sometimes opt for a wide beam model instead. One nice technique that I have seen used in a few London residences is to create an array of shimmering ceiling lights with wide-beam downlighters. This is appropriate when the interior design consultancy wishes to create a more general, ambient light, but with a fabulous designer feel.

Up-lighters wash the ceiling with light, and the ceiling then serves as its own lighting fixture, bouncing relaxing and general illumination back into the living area. Interior design consultancies will use up-lighters to create an engaging feeling of openness and upward motion when the ceiling is painted a dark colour, in which case the reflected lumens will be low. Up-lighters in London are often either free standing or wall-mounted, usually above head-height to eliminate dazzle. One great technique that I once saw used by a well-known London interior design consultancy was to incorporate a fabulous up-lighter that was recessed into the floor as a central feature, creating drama and powerful contrast for a cove and elongated column.

In the next article in this series "DeLIGHTed by Design," I will continue explaining how interior design consultancies rely on the six core lighting tools.

Thomas Chippendale didn’t grow up in London (in fact he was born in Leeds in 1718), but he did move to London at the age of 31, after he had already gained recognition as a premiere furniture maker and cabinetry-focused interior designer. His work and styles influenced the London Interior Design community then, and the Chippendale aesthetic continues to extend its impact well beyond London even today.

Chippendale’s fluent, natural and sophisticated style developed after the promotion of his furniture and interior designs in “The Gentleman and the Cabinetmaker’s Director” in 1754. Chippendale continued to make iconic contributions to the field of interior design until 1790. His furniture came to be manufactured as far afield as Philadelphia in the USA.

Chippendale drew on three key interior design inspirations for this work – namely French, Asian and Goth. In the USA, Chippendale’s work was interpreted as a re-envisionment of the Queen Anne interior design style. His furniture was often heavily ornamentalised on the feet and uppers, with beautiful heritage-inspired scroll tops on taller units. Yellow Birch and Mahogany were often used, undersupport was rarely employed, and the rears of seated furniture were covered with plush fabric or otherwise left as shaped wood, perhaps as tessellated piecework with ornamental sculpting and Asia-inspired cross-strips. To round out his own personal interior design style, Chippendale would also include delightful finials and varnished shellac features.

Enthusiasts and professionals alike were very taken with Chippendale’s work, lauding him as a master London cabinetmaker and a household name of eighteenth-century furniture-focused interior design.

Harewood House is a popular Leeds tourist attraction, located about 4 hours’ drive from Central London. The famous building features a magnificent collection of Chippendale library furniture that was originally ordered during the 1760s. The interior design style reflects Chippendale’s ideals throughout and showcases his focus on both form and function.

Today, London’s interior designers are often called to reconstruct period rooms in traditional mansions or luxury residences. Often Chippendale furniture will play a major role in such interior design concepts. Chippendale-inspired furniture designs such as those of Henrietta Spencer-Churchill may also be ideal for certain settings. However, the fresh lines of many Chippendale pieces also lend themselves to contemporary interior design concepts - many interior designers will use some of the more extravagant Chippendale pieces to offset some of the more frosty and unforgiving modern furniture elements.

Interior designers are often asked about the origins of the profession – especially in the context of quality of life versus product. Has our modern quality of life driven our craving for high-quality design, or has design really been more of a primary impactor in defining how we enjoy wellness? In this article, I will draw on my experience in London’s prestigious interior design community to reflect on how the design process works from this perspective.

When interior designers begin engaging with a potential client, they will often ask about function. What is the desired purpose and use of the room or residence? The answer to this question has a profound impact on everything we do. If a client is desperate for luxury high-end London extravagance in the form of a damask settee, we may recommend a synthetic damask fabric instead of cotton or satin for a household that includes young kids and a pet dog. Breathtaking interior designs are always the goal, but only in the context of compatibility with our clients’ unique London lifestyles.

Interior designers will work hard to understand client requirements from the outset. Some professional London Interior Design consultancies will even have a series of highly structured interview questions that they routinely use. The interior designer will offer a free consultation at the client’s home – whether inside or outside London – to discover exactly what the client loves and hates about their current residence. Budget should be a conversation point from the very beginning. It is important to clarify whether the client prefers to be given fifteen different interior design options from which to choose, or just two or three.

One area that can be really challenging for the interior designer is when a husband and wife have different ideas about the desired outcome. This can happen regardless of whether the individuals are happily married or considering an impending separation. The interior designer sometimes gets “caught in the middle,” which can cause real tension.

In recent years, the London interior design community has seen a real upwelling in terms of social media and internet-enabled design opportunities. One of the most positive results is that would-be clients are now much better informed regarding interior design themes and concepts. Londoners read articles just like this one and start to get a sense of the interior design process even before we reach their front door or exchange our first set of emails!

Interior designers sometimes get asked about the hottest colour trends. And this season, we have a confession to make: white is the new black! White interior designs are hip and trendy once again, and in particular those sterile white kitchens are now all the rage. This is particularly true in London, where the dull and gloomy skies can make clients cry out for a touch of bright white interior design freshness.

When you walk into a beautiful white kitchen designed by a top London Interior Designer, what do you feel? Many of us are overwhelmed with all sorts of emotions. We feel carefree and almost as if we are floating on air. The pervasive whiteness brings to mind age-old simplicity, sanitary freshness, contemporary impact, and a roomy, playful outlook. The interior designer will use the white kitchen as a philosophy to evoke a sentiment of purity for food preparation and to empower boundless chef-inspired inspiration.

Many interior design consultancies use white as a fabulous background for the presentation of magical colours and textures. For example, one top trend today is to use deeply varnished wooden joists to contrast with sharply-defined white architectural surrounds. Colourful interior design accents really “pop out” in this context. Alternatively, the quiet pastels of a London autumn can make for a classic and sophisticated interior design scheme.

The newest London kitchens may be white today, but the true home of the white kitchen has got to be Sweden. Just like London, Stockholm has short days and long nights for much of the year. Homeowners naturally crave interior designs that maximise the amount of reflected internal light in these climates. Swedish interior designers will create themes that are inspired by the widespread use of wintertime candles and sconces.

Returning to less northern cities like London, a simple white kitchen works well with dramatic black accents. A very dark or bold interior design element, used rhythmically in the kitchen, creates balance and interest. Contrast in tone and color is the underpinning of what might otherwise be experienced as a ‘simple’ or ‘flat’ kitchen.

Is a white kitchen ‘classic’ in the sense that it can ‘fit’ into any interior design? Certainly not! Understanding design context, and especially the architecture of all the elements, the proportions of color and tone, and a true balance with the surrounding interior spaces, are essential for the presentation of a visual logic, a ‘whole’. Top London interior designers recognise this, and their efforts have made the white kitchen philosophy a real winner today.

Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This second article talks about how to create patterns using illuminated materials.

Any perforated textile, when lit from the back or from the inside, will speckle adjacent forms with pattern, from point strips and pirouettes to constellations and dazzling laser specks. The professional interior designer can use the trim of a window covering to create fabulous banding across a shiny floor covering in the London summer. Some interior design firms love to use ornamental metal lanterns to paint fiery asteroids on walls and furniture, while light projected through a sculpted screen can create magnificent abstract outlines in expressive contemporary interior design schemes. A factory-inspired metal stairwell with perforated treads – of the type often reinterpreted for ultra-modern interior design schemes – can throw tiny checkmarks of light onto local furniture when exposed to a bright London sky in springtime. A fabulous option with a wooden staircase would require the interior designer to specify a grit-washed tread, to deliberately throw stunning shadows from the rail onto the adjacent wall. Abstract wire-mesh sculptures by local London artists can engender powerful interior design emotions, with the pattern even becoming more important than the object itself! Interior designers can expressively use perspective to distort the pattern from complete realism, when lit front-on, to Baconesque abstract enchantment when illuminated at an acute angle. The same effect can be created by using mirrors to refocus natural light from bay windows in some of the more luxurious London residences.

Glass is another popular tool for patterns. A frosted glass table can be lit from above with a halogen downlighter to cast intricate outlines of reflected light onto the ceiling, and the interior designer can even use positioning to cause refracted light to splash abstract patterns onto the floor underneath the table. I have seen some London Interior Design consultancies deliberately illuminate trophy-style glassware on display shelves from the front so that the etching on the glass throws deep shadows that recapitulate a core design theme.

In the next (third) article in this series called “Colour Me Brightly!” I will reveal another secret of London’s interior design community: how to create patterns with opaque objects.

Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This fourth article concludes my series.

Linear light patterns can focus on either the horizontal or the vertical metrics of a room. A given wall-light technique can create an immersing halo effect, if the interior designer uses concentrated super-bright light at high level that gradually fades out towards the base. Some London Interior Design consultancies specialise in choosing continuous sources, such as a miniature tungsten rack for a soft light or overlapping fluorescents for a cooler light. This is an effect that works very well in contemporary interior designs, where light can be concealed between the wall and the ceiling in a crevice in order to take the place of the traditional cornice.

The best method of illumination for interior designers to use when creating patterns will depend on the interior, and also on the direction of windows (natural light in London can be very seasonal). A smoothly plastered wall can jump into existence with a dappled arc wave from closed-offset down-lighters but if the interior design feature lies in the texture and in the structure or hue of the wall, then a more uniform spray of light will emphasise the wall’s best perspectives. A splashback tile solution at the rear of a shower or bath is a good interior design choice for the arc wave effect, as is a Venetian blind in a London kitchen. A wood-panelled hall or study is often a compelling interior design feature, and accordingly it would be better lit with an even light that does not detract from the feel of the wood.

Shifting from instant to instant and from a London dawn to a dappled full seasonal moonrise, the impacts of illumination and shadow are phenomena we almost disregard. But London’s top interior designers know that patterns of light can actually transform our emotions with respect to the interior forms that engulf us. By bringing to life walls, floors and ceilings with light-focused interior designs, pattern-making is yet another realm of illumination that can brighten our spaces and enhance our quality of life.